![]() But there’s plenty to be learned here.ĭave writes: Microsoft’s MTP vs. I stand by my claim that musicians should consider sidestepping labels and selling non-DRMed music direct to their listeners. Most interesting to me is some of the insight he provides on how these technologies are evolving for music use. His response isn’t the one-sided DRM advocacy you might expect, though he has some pragmatic points to make about DRM, as well. Dave is himself a musician - see his music site, and note that even though he works for Microsoft, his music is available on iTunes via CDBaby and in non-DRMed MP3 downloads. Dave McLauchlan from the Windows Media Devices Group at Microsoft wrote me privately to rebut some of what I said, make some corrections, and set the record straight on the Windows Media devices and specifically MTP. The best way to learn something about a technology, though, is to talk to someone who actually develops it. That launched a semi-interesting debate with Boing Boing’s Cory Doctorow, and in the process we learned many of you really can’t stand Boing Boing’s Cory Doctorow. But I did note that MTP isn’t itself “DRM,” since many of its features are unrelated to music, let alone music DRM. I advocated using the older USB Media Storage Class (MSC) connection method because it’s compatible out-of-the-box with Mac and Linux as well as Windows. There has been a lot of criticism of DRM, but in the process, a lot of people have missed the details on Microsoft’s MTP. In a June 16 story on Platform-Agnostic Drag-and-Drop Music Listening, I suggested lovers of independent music might be better off foregoing both Digital Rights Management (DRM) and Microsoft’s preferred connection mechanism, the Media Transfer Protocol (MTP). With digital music files have come new restrictions from the music labels on how music is played and transferred, as well as discussion of various specifications for connecting devices to computers. Portable music player technology isn’t as simple as it once was.
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