![]() But the thin connection between Utah and Bodhi never raises the stakes enough to make the chases and extreme dares really land. The primary goal, however, seems to be to make a more timely, relevant film that never quite reaches those heights (why does the European FBI office seem to be in a library, complete with a chalkboard?).ĭespite all that, Core does manage to squeeze a bit of tension out of some incredible action sequences and gorgeous locations, with a chase up (yes, up) Angel Falls being a highlight. Agent.” moment and a tip of the hat to presidential references. Cue the blown cover and betrayal, and the rest of Point Break follows the original’s course.Ĭore and writer Kurt Wimmer ( Ultraviolet, 2012’s Total Recall) are sure to include a handful of shout-outs to the original film: Utah’s frustrated gunfire when he lets Bodhi escape, the notorious “I am an F.B.I. The cat-and-mouse between Utah and Bodhi is replaced with snowboarding, wingsuit flying and free rock climbing, leaving the slow bond between the two behind, along with any sense of personal drama. When Utah tries to surf a rare ocean mega-wave, he’s rescued by Bodhi (Ramirez, Wrath of the Titans, Deliver Us from Evil), and just like that, he’s deep undercover in the gang and knows he has his man, or men. There’s too much mumbo-jumbo backstory about a dead eco-guru, the mythic Ozaki 8 (a series of extreme sporting challenges) and the raid of Mother Earth/the poor and so on and so forth to leave room for character arcs. In overcomplicating the bandits’ motives, the film sets itself up for a fall.
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